Yanni Voices Live in Concert (2009)

Following the release of the successful Yanni Voices CD, world renowned, GRAMMY® nominated pianist, composer, and producer, Yanni, makes a triumphant return to the stage with the new Yanni Voices Live in Concert DVD featuring over two hours of concert footage from the Forum in Acapulco, Mexico. For the first time ever, Yanni shares the stage with new vocal sensations Nathan Pacheco, Leslie Mills, Ender Thomas and Chloe - each of them lending their voices and lyrics to Yanni's beloved classics and new songs. Emjoy hours of Yanni with bonus content from the Spanish 'Voices'. DVD Includes: 1. Open 2. Nican (In Your Heart) 3. Unico Amore (Enchantment) Performed by Nathan Pacheco 4. Ritual De Amor (Desire) Performed by Ender Thomas 5. Before the Night Ends Performed by Leslie Mills 6. Vivi Il Tuo Sogno (Almost a Whisper) Performed by Nathan Pacheco 7. Within Attraction 8. Change Performed by Chloe 9. Bajo El Cielo De Noviembre (November Sky) Performed by Ender Thomas 10. Mi Todo Eres Tú (Until the Last Moment) Performed by Ender Thomas and Chloe 11. Duet Performed by Jason and Sam 12. Theory of Everything Performed by Leslie Mills 13. Omaggio (Tribute) Performed by Nathan Pacheco and Chloe 14. Our Days Performed by Leslie Mills & Chloe 15. En Silencio Performed by Ender Thomas 16. Kill Me With Your Love Performed by Chloe 17. Amare Di Nuovo (Adagio in C Minor) Performed by Nathan Pacheco 18. Nei Tuoi Occhi (In the Mirror) Performed by Nathan Pacheco and Chloe 19. The Keeper Performed by Leslie Mills 20. Quédate Conmigo Performed by Ender Thomas and Chloe 21. The Storm 22. Niki Nana Performed by Chloe 23. Santorini

The Cove

Maybe you've seen it all, and maybe you're already steeped in outraged, activist documentaries. But you haven't seen anything quite like The Cove, unless you can visualize a disturbing combination of Upton Sinclair's The Jungle, Free Willy, and the killing of Bambi's mother. The Cove is directed by the experienced National Geographic photographer Louie Psihoyos, who sets about to uncover a shocking (but regular) ritual on the Japanese coast: the herding and slaughter of thousands of bottlenose dolphins in the town of Taiji. A few dolphins are saved during this process, and sold off to aquariums so they can perform in water shows. The rest are crowded together and--away from prying eyes--stabbed to death, their meat sold as food. (Interviewing Japanese people on the street, they apparently have no idea that the "whale meat" on sale in stores is actually mercury-saturated bottlenose dolphin.) It's not that this mass killing is secret, exactly, but the fishermen of Taiji have done a proactive job of keeping cameras and other observers from getting a good look. Psihoyos wants to change all that, and he assembles a swashbuckling squad of scientists, filmmakers, and nerds (including movie F/X people who design fake rocks for hidden video cameras) to extra-legally smuggle recording equipment into the cove. The team's spiritual and emotional captain is Richard O'Barry, the man who helped popularize dolphins as cuddly animals as the trainer of TV's Flipper back in the 1960s--and who, horrified by the way dolphins have been used in public displays, has been an anti-captivity activist for decades. The footage that results is so shocking it should cause seismic reactions in viewers, and when O'Barry attends a meeting of the International Whaling Commission (portrayed by the film as ineffectual and/or bought off by Japanese interests) armed with video of the slaughter, he's like Rocky Balboa climbing into the ring for one more big fight. After what we've seen in the film at that point, it's unlikely many viewers won't be rooting him on. -Robert Horton

Planet Earth: The Complete BBC Series (2007)

With an unprecedented production budget of $25 million, and from the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the ultimate portrait of our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and most elusive creatures. From the highest mountains to the deepest rivers, this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before, to experience sights and sounds you may never experience anywhere else.

The Secrets of Jonathan Sperry (2008)

A Christian family film about faith and forgiveness, The Secrets of Jonathan Sperry is a leisurely paced story concerning an elderly man who shares his faith with a young boy and how that simple act helps shape the lives of many. The movie is set in the simpler times of the summer of 1970. Dustin is a respectful 12-year-old boy who mows lawns for the neighbors, has just developed his first crush on a girl, and is spending the summer hanging out with his two good friends Albert and Mark. When elderly neighbor Mr. Sperry asks Dustin if he'll start mowing his lawn, Dustin gladly agrees, and soon Mr. Sperry begins sharing the Bible and his faith with Dustin. Before long, Dustin and his friends find themselves enjoying regular Bible study at Mr. Sperry's home. Through gentle words and engaging activities, Mr. Sperry helps Dustin and his friends discover how faith and the Bible can improve their lives, not only in the broadest sense, but also with some very specific lessons about forgiveness, problem solving, and even effectively dealing with bullying. This film delivers a wholesome message about faith and seeing things from another's point of view, but the pace is deliberately slow and the complete absence of normal preadolescent energy may well cause some contemporary viewers to lose interest. Gavin MacLeod and Jansen Panettiere give solid performances as Jonathan Sperry and Dustin, respectively, and it's great to see Robert Guillaume in a highly effective appearance as Mr. Sperry's neighbor Mr. Barnes. Bonus features include a 39-minute behind-the-scenes featurette with Gavin McLeod, director Rich Christiano, and producer Chad Gunderson; a full-length commentary with Rich Christiano and Gavin McLeod; a look at the various houses used in the film; interview footage with composer Jasper Randall; a special message from director Rich Christiano about his own faith; and contact information for related ministries. (Ages 7 and older) --Tami Horiuchi

Letters to God (2010)

A boozing postal worker finds his life turned upside down by a boy struggling with cancer. Young Tyler Doherty (Tanner Maguire) faces his cancer with a strong spirit and good humor, and maintains his faith by writing letters to God--letters that the neighborhood's new mailman, Brady McDaniels (Jeffrey Johnson), doesn't know how to handle. Gradually, McDaniels finds himself drawn into the Doherty family's life… and drawn to Tyler's lonely mother, Maddy (Robyn Lively). Letters to God is earnest and family friendly, with moments of slapstick humor to leaven Tyler's troubled circumstances. Any viewer's response to Letters to God will depend on his or her faith; devout Christians will find it a sincere and uplifting testament to God's love, while non-Christians will find it saccharine and heavy-handed. But it's certainly a polished production, with professional cinematography, a cleanly written (if a bit obvious) script, and solid performances from the attractive cast. --Bret Fetzer

The Last Song

This romantic tearjerker from writer Nicholas Sparks (Dear John, The Notebook) can be formulaic at times, but it stays interesting thanks to pacing and snappy dialogue. Miley Cyrus sulks through The Last Song as troubled teen Ronnie, who resents her father (Greg Kinnear) for divorcing Mom (Kelly Preston) and leaving the family. A piano prodigy, Ronnie refuses to play after her father leaves, and she snubs admission to Julliard. Ronnie and her wisecracking brother Jonah (Bobby Coleman) are sent to spend the summer with their father in a small Georgia beach town. Handsome townie Will (Liam Hemsworth) strikes up a tense relationship with Ronnie and, true to romance formula, they fall in love. Ronnie softens her attitude and the ice between father and daughter begins to melt away. But Dad has a tragic secret, and in the end, music helps Ronnie open her heart and heal. Cyrus gives a predictable performance as the all-attitude Ronnie, but she's helped along by Coleman's cute-little-brother shtick (which can be a bit heavy-handed, but the youngster is a scene-stealer). Veteran actors Preston and Kinnear are one-dimensional, but The Last Song is a harmless teen romance--who's watching the adults, anyway? --Francine Ruley

Get Him to the Greek (2010)

The man who put the rock in raucous, Aldous Snow, returns to new levels of debauchery in Get Him to the Greek, something of a spinoff of the character's first appearance in Forgetting Sarah Marshall. As played by the equally naughty Russell Brand, Aldous has fallen off the wagon and is more obnoxious than ever, a condition that will make Aaron Green's job more difficult. Poor Aaron (Jonah Hill) is the goggle-eyed record-company stooge whose job it is to transport Aldous from London to Los Angeles in the course of 72 vodka-saturated hours--specifically to the Greek Theatre, where Aldous is supposed to revive his stumbling career with a comeback show. Now, given Russell Brand's raggedy hilarity in Sarah Marshall, this movie should be a slam dunk, as it imports that film's director (Nicholas Stoller), the "produced by Judd Apatow" imprimatur, and Jonah Hill in his deadpan stride. (Hill's character isn't related to his Sarah Marshall role, by the way.) And yet Get Him to the Greek summons up only sporadic laughs and commits the comedy crime of trying to explain Aldous's bad behavior, instead of simply letting his freak flag gloriously fly. So we are treated to the spectacle of Aldous's father (Colm Meaney, nice casting), who never loved his son enough, and Aldous's ex (Rose Byrne), who appears a little too inclined to spread the love around. Meanwhile, the comic situations that do arise are divorced from plausibility, whether it's the logistics of how a program like The Today Show works or the likelihood of a three-way involving Aaron's girlfriend (Elisabeth Moss, from Mad Men). One surprise: as Aaron's hard-driving boss, Sean "Don't call me Puff Daddy" Combs is thoroughly amusing. Rushed and choppy by comparison to other comedies from the Apatow mill, Get Him to the Greek feels like the sophomore slump for Aldous Snow--and possibly the swan song. --Robert Horton

Knight & Day (2010)

Knight and Day has action by the boatload, cheeky wit, unexpected double-crossing, sexual tension, and the blinding smile of its star, Tom Cruise. In short, what more could you ask of a rollicking good-time movie? Knight and Day, which also stars the irresistible Cameron Diaz as Cruise's superspy's ultimate foil, channels the best elements of earlier films like Mr. and Mrs. Smith, Mission: Impossible, the Bourne films, and even a little of Duplicity's sophistication. Mostly, though, Knight and Day is about moving things along merrily, if not completely coherently, as the two stars tangle, and tussle with trust issues, in a completely believable, compulsively watchable way. Cruise plays Roy, an on-the-lam spy (who may have had some kind of psychotic break--or who may in fact be the only person telling the truth); he runs into the winsome June (Diaz), who gets caught up in Roy's mad dash to escape the cabal of federal agents on his tail. "No one follows us," Roy announces to a terrified diner crowd as he moves to make his escape with June, "or I kill myself--and then her." While Knight and Day, directed by James Mangold, has more than its share of high-speed chases, hails of bullets, and explosions, it works far better as a romantic comedy--for the chemistry between Diaz and Cruise is delicious, palpable, and believable. So grab a date and an extra-large popcorn, and get ready for a sweet and fun Knight and Day. --A.T. Hurley

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The A-Team (2010)

Give it up to the A-Team: they've always been good at demolishing things in big, big ways. Freed from the confines of the 1980s TV series, the 2010 blockbuster movie version allows the four members of the paramilitary squad to really amp up the mayhem to newly crazed heights. Liam Neeson plays team leader Hannibal Smith (inheriting the cigar-chomping from the show's George Peppard), and pro wrestler Quinton "Rampage" Jackson is "B.A." Baracus, the TV show's most iconic character (insert Mr. T "I pity the fool" joke here). As the vain Face, Bradley Cooper preens in convincing fashion, and District 9 out-of-nowhere star Sharlto Copley plays the unhinged pilot "Howlin' Mad" Murdock. These boys are on the trail of some money-counterfeiting plates, from Bagdad to Germany to places in between. It would be understating it to say that the plot is not of primary importance, although Patrick Wilson has some fun as a CIA official and Jessica Biel occasionally strikes poses as Face's ex-flame, now a military officer displeased with the A-Team's extra-legal shenanigans. The storytelling is insipid and half-hearted--but when it comes to snarky dialogue and two-fisted action scenes, director Joe Carnahan is in his comfort zone. It's reasonably fun watching the working-out of such logistical puzzles as dropping a tank (with crew inside) from a plane, or scattering the main characters on a dockside as cargo containers rain down from a ship looming above them. Good times, although is it asking too much for certain basic laws of physics (if you drop a human body ten stories, for instance, it might actually sustain injuries) to be used as a guideline? But worrying about such matters isn't in the spirit of The A-Team, which cheerfully ignores the petty concerns of credibility and logic. --Robert Horton

Prince of Persia: The Sands of Time (Blu-ray/DVD Combo + Digital Copy) [Blu-ray] (2010)

In the spirit of the Pirates Of The Caribbean trilogy, Walt Disney Pictures and Jerry Bruckheimer Films transport you to the mystical lands of Persia for this wildly entertaining, epic action-adventure. It's a race against time when a rogue prince (Jake Gyllenhaal) reluctantly teams up with a rival princess (Gemma Arterton) to safeguard a magical dagger that gives its possessor the power to reverse time and rule the world. Filled with death-defying escapes and unexpected twists at every turn - Prince Of Persia: The Sands Of Time is a fun-filled adventure that will keep your pulse pounding long after the credits end.

Robin Hood (2010)

Cast aside all notions of men in tights: Ridley Scott's Robin Hood is decidedly earthier and more grown-up than most romps through Sherwood Forest. The presence of the over-40 Russell Crowe and Cate Blanchett cinches the deal, lending a dose of worldliness to a project that means to be about the origins of the famous character, who in this incarnation was evidently a late bloomer. Robin Longstride (that's his name before he started wearing a hood) is just returned from a 10-year jaunt in the Crusades when he loses his king (Danny Huston as Richard the Lionheart) and his job. Back in England, Robin folds himself neatly into a Nottingham family, where a grieving widow named Marion (Blanchett) and her father-in-law (Max von Sydow) hardly care that he doesn't much resemble their own departed warrior. But the merry men and their famous sideline will have to wait: except for one bit of robbing from the rich (i.e., the greedy government of King John) and giving to the poor, this movie is more concerned with creating a portrait of the royal intrigue that went into creating Robin Hood than in detailing the high jinks of the Nottingham outlaws. And that's not a bad thing, because although Robin Hood lacks the mechanical action beats that distinguish most films of its scale, it creates an engrossing story line around its political chess playing (outlined by screenwriter Brian Helgeland and apparently a few others). Crowe is in reliable crusty-tender form and Blanchett summons up more than her sketchy character probably deserves, but the film has a large cast of chewy, fun performers: Mark Strong (Kick-Ass) does baddie duty as the treacherous pal of King John (preening Oscar Isaacs), William Hurt is stalwart and wise as a royal power broker, Eileen Atkins is a carefully considered royal mum, and Matthew Macfadyen is a Sheriff of Nottingham who's no longer central to the villainy--though no less hissable for his ineptitude (and a prime candidate at film's end for No. 1 bad guy in the sequel). In short, not a Gladiator re-do for Scott and Crowe, but a civilized tale of tyrants and rebels, staged in a pleasingly old-fashioned way. --Robert Horton

The Other Guys (2010)

Will Ferrell and Mark Wahlberg play two down and out cops? Mr. Ferrell seems to be stuck in his rut by his own choice and since I don't want to give anything away, let's just say that Mark Wahlberg made a colossal mistake to have found his way down to the lower levels of hell. Luckily the two of them are partners. Samuel L. Jackson and Dwayne Johnson are the heroes of New York City but do to some unforeseen circumstances, they quickly relinquish their title. Wanting to seize the opportunity of the new opening for a hero, our two bumbling cops attempt to solve a very big case.

Green Zone (Exclusive Special Edition)

Matt Damon reteams with his Bourne Supremacy director to create a thriller grounded in contemporary politics: the search for weapons of mass destruction in Iraq. Chief Warrant Officer Roy Miller (Damon) travels across war-torn Iraq, pursuing the intelligence he's been given, but every site indicated comes up empty of WMDs. Investigating the source of the intelligence, he finds himself caught between CIA agent Martin Brown (Brendan Gleeson, 28 Days Later) and politician Clark Poundstone (Greg Kinnear, Little Miss Sunshine) over the identity of "Magellan," the supposed source. As Miller tracks down an Iraqi general, he ends up further and further afield, facing danger from all sides. It's hard to say which is the greater accomplishment--that Green Zone manages to turn a still-volatile political issue into a propulsive action movie, or that it manages to depict Iraqi people as individuals with a wide range of responses to what's happened to their country. Damon's performance is low-key but effective as Miller tries to maintain some semblance of moral clarity in a circumstance that muddies everything. Also featuring Amy Ryan (Gone Baby Gone) as a compromised journalist and Khalid Abdalla (The Kite Runner) as an Iraqi civilian who gets dragged into far more than he expected. --Bret Fetzer

The Pacific (HBO Miniseries)

The Pacific is an epic 10-part miniseries that delivers a realistic portrait of WWII's Pacific Theatre as seen through the intertwined odysseys of three U.S. Marines - Robert Leckie, John Basilone and Eugene Sledge. The extraordinary experiences of these men and their fellow Marines take them from the first clash with the Japanese in the haunted jungles of Guadalcanal, through the impenetrable rain firests of Cape Gloucester, across the blasted coral strongholds of Peleliu, up the black sand terraces of Iwo Jima, through the killing fields of Okinawa, to the triumphant, yet uneasy, return home after V-J Day. The viewer will be immersed in combat through the intimate perspective of this diverse, relatable group of men pushed to the limit in battle both physically and psychologically against a relentless enemy unlike any encountered before.

Band of Brothers (2001)

An impressively rigorous, unsentimental, and harrowing look at combat during World War II, Band of Brothers follows a company of airborne infantry--Easy Company--from boot camp through the end of the war. The brutality of training takes the audience by increments to the even greater brutality of the war; Easy Company took part in some of the most difficult battles, including the D-Day invasion of Normandy, the failed invasion of Holland, and the Battle of the Bulge, as well as the liberation of a concentration camp and the capture of Hitler's Eagle's Nest. But what makes these episodes work is not their historical sweep but their emphasis on riveting details (such as the rattle of a plane as the paratroopers wait to leap, or a flower in the buttonhole of a German soldier) and procedures (from military tactics to the workings of bureaucratic hierarchies). The scope of this miniseries (10 episodes, plus an actual documentary filled with interviews with surviving veterans) allows not only a thoroughness impossible in a two-hour movie, but also captures the wide range of responses to the stress and trauma of war--fear, cynicism, cruelty, compassion, and all-encompassing confusion. The result is a realism that makes both simplistic judgments and jingoistic enthusiasm impossible; the things these soldiers had to do are both terrible and understandable, and the psychological price they paid is made clear. The writing, directing, and acting are superb throughout. The cast is largely unknown, emphasizing the team of actors as a whole unit, much like the regiment; Damian Lewis and Ron Livingston play the central roles of two officers with grit and intelligence. Band of Brothers turns a vast historical event into a series of potent personal experiences; it's a deeply engrossing and affecting accomplishment. --Bret Fetzer

Saving Private Ryan (Sapphire Series) [Blu-ray]

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds. A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance. The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas

The BBC High Definition Natural History Collection (Planet Earth / Wild China / Galapagos / Ganges) [Blu-ray] (2008)

Planet Earth From the makers of The Blue Planet: Seas of Life, with an unprecedented production budget of $25 million, comes the epic story of life on Earth. Five years in production, over 2000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the ultimate portrait of our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and most elusive creatures. From the highest mountains to the deepest rivers, this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before, to experience sights and sounds you may never experience anywhere else. Wild China An exotic fusion of natural history and Oriental adventure, "Wild China" is a series of journeys through four startlingly different landscapes, each based around the travels of a real historical character. With splendour, scale and romance, Wild China lifts the veil on the world's most enigmatic and magnificent country, delving into its vibrant habitats to reveal a land of unbelievable natural complexity. Journey across China from the glittering peaks of the Himalayas to the barren steppe, the sub-Arctic to the tropical islands, through deserts both searingly hot and mind-numbingly cold and see, in pioneering images, a dazzling array of mysterious, beautiful, wild and rare creatures. Galapagos The inspiration for Darwin 's theory of evolution, the Galápagos Islands are a living laboratory, a geological conveyor belt that has given birth to and seen the death of many species of plants and animals. As the western islands rise up from the sea offering a chance of life, the eastern islands sink back beneath the waves guaranteeing only death. Between the two are the middle islands; fertile, lush land in its prime that contains an incredible diversity of life. Nowhere else on the Earth are the twin processes of creation and extinction of species so starkly apparent... see it all unfold before your eyes in this stunning series filmed entirely in high definition from the BBC and the National Geographic Channel. Ganges A sumptuous series that tells the story of the most extraordinary river in the world - the Ganges. Human life and nature bustle along her river banks, in a kaleidoscope of colour and energy. From man-hunting tigers to giant lizards, here the wildlife is as diverse as the people. Traversing from the peaks of the Himalayas through frenetic cities to the teeming delta where the river meets the sea, this is a vibrant and colourful look at how the Ganges shaped the wildlife, culture and beliefs of India.

The Hangover (Unrated Edition) [Blu-ray] (2009)

If you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face. When four pals go to Vegas to celebrate the imminent nuptials of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be. The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.
Director Todd Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

Rush

There isn't a directorial duo better equipped to profile Canada's famed power trio than compatriots Sam Dunn and Scot McFadyen, the makers of Metal: A Headbanger's Journey. Insightful and entertaining, Beyond the Lighted Stage starts with the band's roots in working-class Ontario. Singer-bassist Geddy Lee, the son of Holocaust survivors, a self-described "nebbishy quiet kid," bonds with guitarist Alex Lifeson, the son of Yugoslav immigrants, over "this manic love for music," completing the lineup with "literate, opinionated" drummer Neil Peart (replacing John Rutsey). Getting gigs comes easy, but landing a record deal proves difficult until a Cleveland station takes a chance on "Working Man," and Mercury comes calling. The film proceeds oral-history style through the ensuing ups and downs: a tour with KISS (inspiring ribald comments from Gene Simmons), the making of classic records like Moving Pictures, the fashion faux pas, the personal tragedies, and the derision of critics versus the devotion of fans. Jack Black, one of several notable participants, praises their "deep reservoir of rocket sauce," while Metallica's Kirk Hammett proclaims them "the high priests of conceptual metal." They're also engaging conversationalists, and Dunn and McFadyen up the ante with home movies and early performances. The second disc offers additional live material and a look at a Rush convention. Old hands and new converts alike will find it hard to resist the true-life tale of three men who've stuck together through thick and thin, surviving and thriving where others have succumbed to petty squabbles and commercial pressures. --Kathleen C. Fennessy

The Ghost Writer

When a gifted ghostwriter (Ewan McGregor) is hired to write the memoirs of former British Prime Minister Adam Lang (Pierce Brosnan), he quickly finds himself trapped in a web of political and sexual intrigue. Lang is implicated in a scandal over his administration's harsh tactics, and as the ghostwriter digs into the politician's past, he discovers secrets that threaten to jeopardize international relations forever. Co-starring Olivia Williams and Kim Cattrall, it is a taut and shocking thriller from acclaimed director Roman Polanski (The Pianist).